Travel Playlist

Travelling; it’s got to be done because nobody wants to stay at Point A forever. With the Easter Break over, people all over are returning home from holidays abroad or back from home towns to their lives at school/university/work. As great as the time away can be, the long hours of travelling can sometimes be unbearable even at the mere thought and take away precious time that could be used more productively. After my own Easter Break away I was unable to post on this blog as regularly as I usually do so have decided to make a return with a post about the very thing that hindered me. No matter where you will be off to next, here are some songs to fill those long hours and hopefully give you some enjoyment along the way!

Ray Charles ‘Hit the Road, Jack’

Willie Nelson ‘On the Road Again’ 

Tom Cochrane ‘Life is a Highway’ 

Bon Jovi ‘Wanted Dead or Alive’ 

Queen ‘Bohemian Rhapsody’ 

Queen ‘I Want To Break Free’ 

Fall Out Boy ’20 Doller Nose Bleed’ 

Fall Out Boy ‘Death Valley’ 

Panic! At the Disco ‘Mad as Rabbits’

Panic! At the Disco ‘Pas De Chavel’ 

Staind ‘So Far Away’ 

Metallic ‘The Unforgiven’ 

Shinedown ‘I’ll Follow You’ 

Stone Cherry ‘Blame It on the Boom Boom’ 

30 Seconds to Mars ‘Walk on Water’

Green Day ‘Holiday’ 

Bowling For Soup ‘1985’

Dommin ‘Dyin’ on the Radio’ 

Dommin ‘There You Are’ 

Five Finger Death Punch ‘Never Enough’ 

Fiver Finger Death Punch ‘M.I.N.E (End This Way)’

Guns ‘N’ Roses ‘Sweet Child of Mine’

My Chemical Romance ‘Bulletproof Heart’

My Chemical Romance ‘Summertime’

The Young Veins ‘Young Veins (Die Tonight)’ 

Audioslave ‘I Am the Highway’ 

Audioslave ‘Getaway Car’ 

Audioslave ‘Gasoline’ 

Red Hot Chilli Peppers ‘Can’t Stop’

Red Hot Chilli Peppers ‘Californication’ 

Red Hot Chilli Peppers ‘By the Way’ 

Counting Crows ‘Accidently in Love’

Travie McCoy ft. Bruno Mars ‘Billionaire’

AD/DC ‘Highway to Hell’ 

Deep Blue Something ‘Breakfast At Tiffany’s’


By Skye W. Winwood


Welcome to the sound of Pretty. Odd…10 years on

Yesterday (March 25th) marked the day Panic! At the Disco’s second studio album, Pretty. Odd., reached a decade since it’s release. Whilst it can be argued that the punk rock band’s second album is either one you know all the songs from or three of them, it was a delve into a genre that provided something for everyone who listened. For me, it was the album that first sparked my interest with the band. I remember being in my room and listening to the radio play ‘Nine in the Afternoon’ from our living room and was instantly taken by it. Although I had listened to the band’s most iconic song, ‘I Write Sins Not Tragedies’, it was the kind of song I liked to listen to but wasn’t really aware of who the artist was. Pretty. Odd. was a weirdly wonderful album that was one of the first that had me more interested in the lyrics than I was in the music.

Pretty. Odd. was almost the album that never happened but only because the band wasn’t aware it existed when they began the process of creating their second album. During the writing process the band became growingly displeased with their current songs and ultimately scraped their previous effort to begin the whole process anew. Taking a new approach to the creation process, Panic! At the Disco had retreated to a cabin and quickly found better success writing what would become Pretty. Odd. Upon its release the album saw quick sales but also a quick decline in those sales when compared to its predecessor, A Fever You Can’t Sweat Out. Regardless of mixed reviews, critics still noted the drastic style change from techno-pop punk to more psychedelic-rock.

We’re so Starving 

Pretty. Odd. opens with a short and sweet apology to fans for the band taking the time they did to write the album. From the first guitar chord, it’s obvious Panic at the Disco dropped the exclamation point to reveal the more obscure and romanticised concept of the album.

Nine in the Afternoon

The first single to be released from the album, ‘Nine in the Afternoon’ was written as a song to never make sense. The abstract and impossible lyrics are a jumble of words artistically stitched together to create something fun and timeless. The first song to be written on the album, it reflects the new approach of creating music for music’s sake, something the band would enjoy just as much as their fans. Whilst the song does hold connections to the band’s creative state at the time, the idea of getting back to the enjoyment of music and losing track of time whilst doing this, the song is filled with ludicrous imagery that creates a bright and nostalgic aura.

Northern Downpour 

‘Northern Downpour’ is possibly Panic at the Disco’s biggest step away from the sound of A Fever You Can’t Sweat Out, by being something devoid of the noise that sometimes swallowed the words of the songs. The fourth single to be revealed from Pretty. Odd., it is an utterly moving track with lyrics hidden in metaphors that manage to find a connection with anyone who listens. The song is almost the centre piece to Pretty. Odd. containing the unique creativity of ‘Nine in the Afternoon’ but played against a beauty akin to later tracks on the album like ‘When the Day Met the Night.’

When the Day Met the Night

Pretty. Odd. can be described as a rock and roll, fairy tale romance and no song embodies this concept more than ‘When the Day Met the Night.’ Played out almost like a lullaby the song recants a completely romanticised story of the sun and the moon falling in love. The psychedelic sound compliments the lyrics in setting them in another reality.

She Had the World 

The orchestra infused piece of ‘She Had the World’ continues the dream like tone of Pretty. Odd., a song laced with melancholy reflection through use of poetic lyrics. Possibly not one to be picked out from the album by many, there is just something about this song that gives the need to draw attention to it. ‘She Had the World’ is a fanciful song of simple propositions that still holds the same fantastical element present throughout all of Pretty. Odd.

Mad as Rabbits

The closer that brings everything together, ‘Mad as Rabbits’ sends the album out on a hyped up, classic rock fuelled end. Pretty. Odd. was different from A Fever You Can’t Sweat Out for a variety of reasons, but one most notable reason is because Pretty. Odd. had the entire band collectively adding creatively to the album. Not only this but at one point or another, the band all contributed vocals to the album with ‘Mad as Rabbits’ being one of these songs. A duet split between current Panic at the Disco member, Brendon Urie, and ex member, Ryan Ross whilst Spencer Smith and Jon Walker provided backing vocals.

Pretty. Odd. may possibly always remain the marmite among Panic! At the Disco fans but it holds a creative uniqueness and nostalgia to many fans who have followed the band thus far. Throughout the years, Panic! At the Disco has only managed to grow as a band and is still putting out awesome music today but Pretty. Odd. will always remain at the top of my list for favourite Panic albums because it was the one where it all began.

Previous Panic posts:

Say Amen for Panic! At the Disco

Panic! At the Disco has fans in a frenzy with cryptic messages


By Skye W. Winwood

Remembering Dolores O’Riordan

The world has lost yet another beloved star, but her light will keep shining among her family, friends and fans. The death of The Cranberries’ lead singer Dolores O’Riordan was announced on Monday the 15th of January 2018 and has left a dark cloud of devastation hanging over us all. At this time, the cause of her death is unknown and those closest to her have asked for people to respect their privacy and let them mourn in peace. A request that should be abided by all, but we can share in our grief through the beautiful music Dolores has left behind.

Dolores began her music career when she joined The Cranberries in 1990, an Irish rock band formed in Limerick a year prior. The band was initially formed by brothers Mike and Noel Hogan along with Fergal Lawler and Niall Quinn under the name The Cranberry Saw Us. However, the line up was simply not meant to be when Quinn left the band after only a year together. The remaining members began their search for a female singer to front their band and found all they were looking for in Dolores O’Riordan. Dolores came prepared to dazzle, writing her own lyrics and melodies but it was the early stages of the famous ‘Linger’ that got her the job. ‘Linger’ is a perfect summary of the band’s style and approach to music, as well as Dolores’s talent and uniqueness. Her sweet and soft voice still manages to project powerful emotions and capture the heart of anyone listening.

The band’s early EPs and demos caught the attention of many people in influential positions, putting them on the track for success from near day dot. In 1993, they released their debut single, ‘Dreams’, an upbeat song about new love laced with youthful innocence. The song entered the top 30 of the UK chart in 1994 and was one of the songs, alongside ‘Linger’, that featured on The Cranberries debut album, Everyone Else Is Doing It, So Why Can’t We?. Although mainstream success was achieved early on, both ‘Dreams’ and ‘Linger’ were re-released at later dates to prove even more popular and quickly sending The Cranberries soaring through the charts.

One year after the release of their first album, the band came back with No Need To Argue, an album that completely outsold it’s earlier counterpart. The album contained the iconic song ‘Zombie’ and went triple platinum within a year of it’s circulation at the top of the charts. Apart from ‘Linger’, ‘Zombie’ is arguably the band’s most popular song to date and is a heavy showcase of their placement in the rock genre. Dolores’s vocal performance is as phenomenal as previous recordings but this time laced with an anger made poetic by her angelic tones. The song contains a powerful message concerning the political conflict surrounding Ireland at the time, filled with turmoil and harrowing lyrics.

No Need To Argue has proven to be the band’s most successful album as popularity barely ceased. Later albums, such as To The Faithful Departed, did not reach the same peak of success but kept the band’s place in the heart of their fans. The Cranberries continued to make music together throughout the years, producing numerous music videos and embarking on one of the most successful tours of their career. Rumours circulated about Dolores leaving the band to follow a solo career and in 2004 the band entered a hiatus. In 2007, Dolores released her first solo album, Are You Listening?, and sold over 300,000 copies worldwide. 2009 saw the reunion of the band – although it was not described as such at the time – where they went on a tour of both North America and Europe. The band played their old songs as well as Dolores’s solo music before then going on to release a brand-new album in 2011. In 2017, an acoustic album titled Something Else was released alongside the promise of tour dates. Unfortunately, the tour dates had to be cancelled due to issues arising with Dolores’s health.

The tragic news of Dolores O’Riordan’s death has left many people in a state of shock and mourning for the young artist. Her fellow band members have paid tribute to the singer via social media and it is obvious she was an admired and well-loved woman who will be missed by both those she touched with her music and in her personal life.


By Skye W. Winwood

Re-discovering Paolo Nutini

Over the past few months, this blog has published posts discovering new artists. Musicians that are either new to the industry or those who have become lost among the fresh faces of today. Each artist has brought a new perspective to the way I listen to music. However sometimes, when on the search for another enlightening musical experience, it’s important to remember those artists who helped begin the journey. For me, Paolo Nutini is one of those artists, becoming one of the first musicians I listened to outside of the alternative genre. His music infuses a sense of nostalgia within me that stretches beyond his musical talent but I know he is an artist others will thoroughly enjoy. To anyone who has never even heard of him, prepare your ears for a swirling audio mosaic of pop rock, soul and folk music all fused into one.

Born of parents from both Scottish and Italian descent, Nutini was destined to follow his father into their family fish and chip shop business. A place where his musical talent would have wasted away amiss the wafting smells of salt and vinegar. Fortunately, Nutini had an extremely supportive grandfather by the name of Giovanni “Jackie” Nutini who knew of his grandson’s talent before even he really did. With this encouragement pushing him forward, Nutini left school to work as a roadie for Scottish band Speedway. He then went on to have experience working in Glasgow’s Park Lane Studio where he was able to pick up valuable knowledge of the music industry. With this gained combination of experience both in the studio and on the road it was only a matter of time before Nutini released his first album.

After being signed up for his first live show in 2003, Nutini was discovered by business partners Brendan Moon and Mike Bawden – the latter still Nutini’s manager today. Shortly after his 18th birthday, Nutini created his first demo and was signed to Atlantic Records. Now with a music label behind him, he was able to release his first single, ‘These Streets’, as a free download in 2006. A song about a man and his guitar and the turbulent journey both have been on. The song was Nutini’s first appearance on the professional music scene and a beautiful introduction to his unique voice and music style.

Listen to ‘These Streets’ here:

From here he continued to release chart topping music until his first album, also named These Streets, in 2006. Nutini worked alongside Ken Nelson on the creation of the album, a producer known for his work with Coldplay. Nutini’s first album had inspirations from his own personal experiences with unsuccessful relationships and offered a glimpse into the artist’s life. These Streets only opened the gates of opportunity further for Nutini as he began playing sell out concerts throughout the UK and supported The Rolling Stones in Vienna.

With the success his debut album brought him, Nutini was able to release Sunny Side Up – the album he is arguably most attributed to and the album where I discovered the Scottish singer/songwriter. Sunny Side Up was released in 2009 and proved to be an instant hit, skyrocketing all the way to number one in the UK charts. The album saw Nutini branching out and exploring himself more as a musician as the album is notably different in sound to These Streets. Although it received a mixed critical response, the success of the album is undeniable with a range of sweeping ballad’s and jaunty tunes to keep you elated in any mood. The album consists of cute coming-of-age songs like ‘Growing Up Beside You’ and always-look-on-the-bright-side pieces like ‘Simple Things.’ However the album also has swinging, jazz inspired songs like ‘Pencil Full Of Lead’ that is hilariously accompanied with a music video containing a dancing animated Nutini.

Watch the music video here:

The sound of These Streets still remains, however, in songs like ‘Candy.’ A folk rock track that comes across as being about fighting with a lover only to realise you were in the wrong. Containing heart tugging lyrics like ‘I’ll be there waiting for you’ repeated almost endlessly and made harrowing by Nutini’s soulful voice. The song has been said to draw personal experience from Nutini’s own life much like the music of These Streets.

Listen to ‘Candy’ here:

Another album was released in 2013 (Caustic Love) where Nutini brought more R&B elements into his music. Lead track ‘Scream (Funk My Life Up) receiving high praise and being likened back to the 70s heyday of soul. Even becoming iTunes Best Album in 2014 and further showcasing Nutini’s talent and how he cannot be pigeonholed into one genre.

Nutini is still active as a musician today and after listening to Sunny Side Up on repeat for the past few days I hope to hear more of his music soon. Whilst Nutini’s other two albums are infused with musical and lyrical beauty, Sunny Side Up will always be a personal favourite and I hope this post encourages more people to discover the joy of it.







By Skye W. Winwood

‘Golden Girl’ is only step one in Bryony Dunn’s Game of Phones Tour

No matter how successful music artists become or how many albums they sell, it is important they never forget where they came from. Bryony Dunn is acknowledging her origins in a unique and guaranteed sell out tour. With her new single ‘Golden Girl’ available for sale on November 17th, Bryony has the idea for a tour with some niche venues.

Listen to ‘Golden Girl’ here:

Armed only with her sweet voice and guitar, Bryony took to the streets of Paris to film the narrative based music video for ‘Golden Girl.’ A song about ‘the theme of international celebrity’, as described by Bryony herself. The story of both the music video and song follow Bryony as a character as well as another nameless celebrity character, slowly revealing the struggles the latter has to face despite seeming to have the perfect life. The message of the song comes across as being about the age old warning ‘be careful what you wish for.’ Bryony asking, ‘Golden Girl, what’s your secret?’, seeking the trick to international fame only coming to realise it’s not all as glamorous as it appears. The theme of both the song and the music video echoes that of Evanescence’s ‘Everybody’s Fool’ but with a drastically different, Dodie Clark music style. Those of a more astute nature will notice how ‘Golden Girl’ fits as a reference to James Bond, the song even beginning with lyrics paying homage to this. Although the identity of the celebrity has not been disclosed an online poll has been created with Taylor Swift and Katy Perry leading as possibilities for the mysterious identity.

The song has the beauty and grace of Fleetwood Mac and Bon Iver. A track filled with an endearing enchantment that makes perfect sense when you know Bryony’s origin of inspiration. The singer-songwriter has cited none other than vintage phone boxes as her muse, describing them as both beautiful and wonderful. The enchantment infused into her music comes from the magical Narnia-style wooded area that surrounded Bryony’s local phone box. This muse became some of the inspiration for ‘Golden Girl’ and has bloomed into the ironic idea of beginning a tour of the red booths all around Britain. Bryony has explained that it doesn’t matter if her audience is just one or two people as long as the message of her music reaches them. Highly encouraging people to contact her via Facebook or Twitter if they have one of the phone booths in their area. Allowing Bryony to begin formulating her tour which will begin in the first part of 2018.

‘Golden Girl’ is scheduled to be released on November 17th and is a beautiful portrayal of modern day celebrities’ and rising artists’ fears and insecurities. As well as a song about the realisation that gaining fame is not the only recognition of talent.



Radio Edit of ‘Golden Girl’:

Original mix:

‘Touch’ cover:



Twitter: @BryonyG_Dunn

Instagram: bryonydunn 



Review by Skye W. Winwood

Satan’s In Heaven, new EP from Cholesterol Jones

Song writing and film making are not always synonyms of one another but Cholesterol Jones is changing that with his latest video ‘Satan’s In Heaven’, from his new EP of the same name. An EP dedicated to paralysing paradoxes, justified juxtapositions and subtle satire surrounding the leader of the free world. Using imagery of the devil strutting around Heaven in an array of jaunty, gospel inspired songs.

Cholesterol Jones is a folk singer with a serious talent in the story telling department. Using all the tricks of the trade through vague imagery to somehow still manage to create vivid pictures in your head. Coupled with the animation style music video for ‘Satan’s In Heaven’, Cholesterol Jones addresses serious issues in a veil of light hearted humour. One that is slowly lifted higher and higher as the music video plays out until everything is laid bare. The simplistic art style of the music video first depicts stick figure-esque characters conveying how they could represent anyone. Almost as a uniting front, acknowledging that the subject of the song is something felt by many people. As well as this the figures are all on laptops throughout the whole video implying the power the internet and creators on the internet have, adding power to the message of the video. The simple and easy to follow lyrics are super catchy and will have you calling ‘Satan’s in heaven’ until the man himself hears you. Of course with the EP’s cover art, music video and not always so subtle lyrics we cannot ignore the elephant in the room. That being that ‘Satan’s In Heaven’ is a song with political themes and feelings towards Donald Trump’s position as President. The song and music video combined seem to be a parody of Trump’s position as well as addressing the serious issues this causes.

Watch the music video here:

Satan’s in Heaven has more than political songs however, such as ‘The River Styx’ that leans more toward the genre of country rock whilst still maintaining an essence of folk. A soaring song crafted with the same attention and talent applied to each track on the EP. The beautiful toe tapping tune is an example of Cholesterol Jones’ versatility in music but also how he can still manage to stick to his musical roots. Another example of this is ‘He Claimed The Tree Of Life’, an emotional exploration of the mediations on life. Filling Satan’s in Heaven with music that brings to mind the likes of Tom Lehrer and Jake Thackray as well as the un-conventionalism of They Might Be Giants.

Cholesterol Jones’s intellect in music is no surprise considering his background and experiences. Being born on a US army base in Bavaria before moving to Boston and after a twenty year stay in New York, now splitting his time between London, Boston and Cape Code has given the musician keen observations of the world that have only become broader as time goes on. After some time playing live venues such as LA’s Whiskey-A-Go-Go and Soho’s 12-Bar Club, Cholesterol Jones is now dedicating his time to music and film making. With Satan’s in Heaven being only the beginning and out now. Although the subject of Cholesterol Jones’ music stays more on the side of dealing with the problematic, each track is dressed in a sharp wit and musical intuitiveness to provide hours of listening entertainment.










Review by Skye W. Winwood

Halloween Playlist 2017

Boys and girls of every age, wouldn’t you like a funky and freaky Halloween playlist on this old Hallows Eve? To kick off the Halloween festivities as October comes to a close here are ten songs to start off your playlist for the perfect spooky night.

The Citizens Of Halloween Town – ‘This Is Halloween’

Beginning the playlist with a classic that it would be a crime not to include. ‘This Is Halloween’ is possibly the ultimate Halloween anthem celebrating everything scary and weird in a joyous chorus of monstrous voices. This quirky song was written and composed by Danny Elfman for Tim Burton’s The Nightmare Before Christmas, directed by Henry Sellick and released in 1993. Setting loose the weird and wonderful creatures inside Tim Burton’s mind to celebrate their loveable monstrosity to the tune of Danny Elfman’s musical genius. Change it up a bit by listening to Marilyn Mason’s awesome and even creepier cover or maybe that is just me trying to put the song on the playlist twice…

Donavon – ‘Season Of The Witch’

A darkly sensual tune that will have you breaking out the cauldron and assembling the voodoo dolls, ‘Season Of The Witch’ is the only way to truly honour the spooky season. Released in 1966 and written by Donovan and Shawn Phillips, the track is a perfect example of psychedelic rock. Infused with warping tones and continuous haunting guitar, the song has been covered multiple times by the likes of Julie Driscoll and Brain Auger and the Trinity, Terry Reid and alternative rock band Luna. Leaving a plentiful harvest to choose from.

Panic! At The Disco – ‘It’s Almost Halloween’

Back in 2008 Panic! At The Disco celebrated their love of Halloween by releasing the single ‘It’s Almost Halloween’ alongside a questionable but none the less hilarious music video. The Beatles-esque track is a head bobbing tune that will most likely be quite helpful when your head is swimming for those apples. A completely fun infused song with the underlying story of a Halloween one night stand, ‘It’s Almost Halloween’ takes you through the common rituals of Halloween and makes sure you get out the other end, even if you are a little worse for wear. Plus, the guys manage to create a simple but memorable dance you can spend the night doing with your friends!

Screamin’ Jay Hawkins – ‘I Put A Spell On You’

Partying hard for Halloween even in 1956, Jay Hawkins released ‘I Put A Spell On You’ and we have all remained under his magical influence ever since. Ranked #313 on Rolling Stone’s list of The 500 Greatest Songs Of All Time, the rock blues tune has cast a spell over listeners and artists alike. Leading to more covers than can be counted but here are just a few: Annie Lennox, Creedence Clearwater Revival, Bonnie Tyler and Nina Simone. The rough vocals of the original are enough to put anyone in a spooky mood and ready for some serious Samhain celebration.

Michael Jackson – ‘Thriller’

Not even a song exclusively for Halloween, ‘Thriller’ is possibly one of the most famous songs in the world with over 400,000,000 views on Youtube and a choreography all its own. The release of ‘Thriller’ in 1982 solidified Michael Jackson’s career as the King of Pop and immortalized him in his iconic red outfit. One I can guarantee you will see replicas of this Halloween, as is always the case every year. Creating a classic horror story with both music video and lyrics, ‘Thriller’ embodies everything old school about Halloween and cannot be ignored when creating a Halloween playlist. Time to brush off the old dance moves because ‘it’s thriller!’

The Rocky Horror Picture Show – ‘Time Warp’

It truly is astounding that ‘Time Warp’ is not part of more people’s everyday playlists, no matter Halloween! Coming into creation in 1975 with the release of Richard O’Brien’s The Rocky Horror Picture Show, ‘Time Warp’ has everything you could ask for from a Halloween song. A cheesy 80s sound filled to the brim the nostalgia and an easy to follow dance you can’t help but preform when the lyrics demand. You’ll be doing the ‘Time Warp’ again and again, enough that maybe you won’t need the rest of this playlist…

Bobby Pickett – ‘Monster Mash’

Rivalling ‘This Is Halloween’ for the title of Halloween Anthem, Bobby Pickett’s ‘Monster Mash’ is another classic spooky, kooky song combining all the monsters who thrive during October. A pliant, pleasant song celebrating the original beings of our childhood nightmares. Embodying everything that made music in the 60s, ‘Monster Mash’ is a milkshake melody with dark undertones.

Ray Parker Jr. – ‘Ghostbusters’

Much like The Rocky Horror Picture Show, the 80s classic Ghostbusters would not be the same without its wicked soundtrack. A soundtrack containing the iconic ‘Ghostbusters’ theme tune recognisable from the first few tumbling notes before exploding into the song we could all sing in our sleep. Another one for fun and pure enjoyment, ‘Ghostbusters’ has been covered by the likes of Fall Out Boy and still remains one of the most loved songs of all time.

Avenged Sevenfold – ‘Nightmare’

Taking a deep delve into darker territory, ‘Nightmare’ is a twisted tune guaranteed to liven up any Halloween party even if most of the residents resemble the dead. A tune of epic proportions and Avenged Sevenfold’s most famous song, it’s a Halloween song that wasn’t even written with Halloween in mind. Exploring the fragile state of the human mind, ‘Nightmare’ will drag you down to a depth of musical enjoyment you didn’t even knew existed as you party your night away. A beautiful combination of hard and soft rock that leaves an eerie edge and creates the perfect atmosphere.

Rihanna – ‘Disturbia’

Halloween is celebrated in different ways all over the world so it only makes sense for different genres of music to celebrate it as well. The last thing people would have expected from R&B princess Rihanna in 2007 was a down right disturbing song, rightfully named. But what wasn’t surprising was how the artist was able to take a genre of music she was not familiar with and combine it with one she is an expert in to create ‘Disturbia.’ A continuously thumping beat throughout the song echoes that of a heartbeat and this song will have yours racing faster and faster. The high pitch in vocals Rihanna uses combined with the dark and sometimes uncomfortable lyrics are enough to make ‘Disturbia’ a Halloween playlist must.

So, there are just a few songs to start off your Halloween playlist but if you’re still dying for more here are some you can explore on your own. Just remember to keep the lights turned on…

The Rocky Horror Picture Show – ‘Sweet Transvestite’

Duran, Duran – ‘Hungry Like The Wolf’

Lady Gaga – ‘Teeth’ and ‘Monster’

Florence and the Machine – ‘Seven Devils’

Panic! At The Disco – ‘Nearly Witches’

Five Finger Death Punch – ‘Jekyll and Hyde’

Iron Maiden – ‘The Number Of The Beast’

Evanescence – ‘Bring Me To Life’

Fleetwood Mac – ‘Black Magic Woman’

Eminem ft. Rihanna – ‘The Monster’

Stevie Wonder – ‘Superstitious’

Rockwell – ‘Somebody’s Watching Me’

Frank Sinatra – ‘Witchcraft’

Love Spit Love – ‘How Soon Is Now?’

David Bowie – ‘Scary Monsters’

Radiohead – ‘Creep’

The Cranberries – ‘Zombie’

Meatloaf – ‘Bat Out Of Hell’

Alice Cooper – ‘Poison’

Marilyn Mason – ‘Tainted Love’


Happy Halloween!

By Skye W.Winwood

JohnlikeJohn is laughing in the face of authority with new EP, Vegans Are Evil Too

Sometimes we need music to get us through those times when life just becomes too much. Those times when we need to be carried away on waves of pure sound that connect on a deep level. JohnlikeJohn has managed to encompass this kind of music in only five tracks. The EP, Vegans Are Evil Too, is a collection of songs that offer all sides of the human condition through theatrically diverse characters. Delving deep into the pools of depression and anxiety as well as championing the underdog. All done in a fashion that British songwriters have become famous for.

Simply from the title of the EP, JohnlikeJohn is leaving no issues left untouched and are already pushing the boundaries of social constructs no matter music. Tone akin to that of Tom Waits, JohnlikeJohn is offering thought provoking music track by track. Vegans Are Evil Too touches upon the cruelty of the world before plunging deep into that pain but resurfacing as survivors. The twisted and quirky style of JohnlikeJohn has led to the man himself describing his shows as featuring ‘a mime playing a flute, a goat playing the drums and being shot with a confetti cannon.’ This broad imagination and artistic talent allows JohnlikeJohn to explore the issues addressed in his music in a truly poetic way. Tracks like ‘Vegans Are Evil Too’ and ‘The Nihilism Cheer’ are simple but powerful songs that you will instantly connect to, with talented music and intelligent, relatable lyrics. Lead track ‘I Am Scared Too’ is a beautifully simple and harrowing song that is just a slice of the creative cake created by JohnlikeJohn.

Watch the video for ‘I Am Scared Too’ here:

The contrast from tune to lyrics is apparent before the song even begins with a short, screaming cry being the introduction. The painful frustration the lyrics embody are portrayed from the outset and prove how close to his music JohnlikeJohn is. Feeling every chord and word with his whole being as a musician and producing music that echoes this. The track features small snippets of laughter that make the song something so innocent and pure despite it’s subject content.

‘I Am Scared Too’ is a perfect example of JohnlikeJohn’s unique take on the British folk music style. The softly bouncing guitar and double bass picking is not only pleasing to the ear but almost tranquil when combined with the deep vocals that evoke a similar vocal style to a modern day British Johnny Cash. The blending of a fast and slow pace seems to connote how fast life can pass us meaning we should appreciate those moments that make it worth it. The coupling of male and female voices turns the song into something cute and overall about love; any kind of love we can experience. The lyrics of ‘I Am Scared Too’ are a combination of witty genius and humours quips such as ‘I’m an Aquarius but that’s bull/the last two years I’ve felt so small.’ The juxtaposition of humorous and heart-breaking lyrics are another representation of the many stages of life and the different sides of the human condition, highlighting both the light and dark. Easily comparable to the story telling talent of John Cooper Clark and Robert Wyatt. The whole song is a genuine, no smoke and mirrors representation of life and a reminder we are not alone in the way we feel. ‘Don’t you worry, I’m scared too’ manages to embody the message of the whole song through only one line.

Vegans Are Evil Too is available now and the only complaint I can muster is that it’s only five tracks long.









Review by Skye W. Winwood

Homerik are bringing their self-titled album just in time for Halloween

As September draws to a close Samhain approaches, causing the veil between worlds to thin dramatically and allow creatures like Homerik to pass into our world. The New York trio are bringing their new album Homerik with them after three years of meticulous crafting and splicing to unleash their twisted sound upon the masses.

Ken Candelas, Andrew Petriske and Obed Gonzalez have combined to create something uniquely dark and in some tracks even on the side of disturbing. Most bands and artists on the road to success have been influenced by a plethora of sounds and Homerik are not that much different as they have their feet in progressive, orchestral metal bands. However Homerik are also inspired by the malevolent sounds of the world throughout history that they have combined with their music to create something unnervingly raw. Even more unconventionally the band’s want to challenge modern art ranges also comes from twisted video games like Gears of War. These influences have allowed Homerik to highlight the darker side of humanity and take you through the plague-infested pastures you would otherwise glance the other way from.

Whether you want to or not their addictive debut album Homerik will drag you from track to track until your protesting cries turn into screams for more. Beginning with ‘Curse of the Black Nile’, an epic monstrosity incorporating lines from one of the most disturbing Ancient Egyptian texts (The Cannibal Hymn). The track has a regal elegance that slowly descends into something more sinister the longer it plays. Crescendo-ing into a rapid heavy metal drum beat and combining with a mixture of soft and aggressive spitting of lyrics. The guttural vocals are a combing sound of the bands Rammstein and Slipknot with a guitar riff giving the band a slightly Avenged Sevenfold sound. However despite these similarities they are only slight as Homerik have created something new by combining sounds and genres other before them have not. The album then moves even further into the macabre with ‘Unforgotten Kin’, a furiously dark tale about brothers mourning their deceased sibling trapped in limbo. The whole of Homerik embodies a fully orchestral sound that delves even darker than the similar orchestral band Within Temptation and push so strongly against musical barriers they could be breaking through into new territory. The album combines three interweaving vocalists in their ranks as well as guest sopranos to create a chorus seemingly of hundreds eerily floating through each track.

The lead track from the album, ‘A Song of the Night Part 1’ is a fitting example of the way Homerik are infecting music and taking no prisoners. The track begins as a soaring, almost magical ascent into an ethereal sound before plummeting back to the core of Homerik after about three minutes. Giving a sense of false security that the track takes full advantage of. ‘A Song of the Night Part 1’ can be summarised as a spiralling nightmare you can’t help but have over and over as the track becomes stuck in your head. The single seven minute track is long enough and infused with enough musical ability that it could be separated into two but the way the band have combined the different sounds is gothically beautiful. The track is also a perfect example of the band’s video game influence as it sounds like something that would be played on a lute in a tavern with many patrons gathering around to listen. The combination of soft and hard vocals paints the image of the narrator not understanding who they are or what is going on around them, causing them to descend into this world of no control as portrayed by the almost manic playing of both drums and guitar. A swaying hypnotic track that will keep you on your toes with it’s constant tempo and instrument changes. The including of ‘Part 1’ in the title could imply how the band plan to add to this track as they progress to complete the fable like story they have begun.









Review by Skye W.Winwood

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